{"id":55743,"date":"2022-10-19T05:00:00","date_gmt":"2022-10-19T12:00:00","guid":{"rendered":"https:\/\/orato.world\/2022\/10\/19\/una-artista-plastica-uruguaya-transforma-una-cueva-en-patrimonio-cultural-en-la-playa-de-punta-ballena\/"},"modified":"2022-10-27T11:12:34","modified_gmt":"2022-10-27T18:12:34","slug":"una-artista-plastica-uruguaya-transforma-una-cueva-en-patrimonio-cultural-en-la-playa-de-punta-ballena","status":"publish","type":"post","link":"https:\/\/orato.world\/es\/2022\/10\/19\/una-artista-plastica-uruguaya-transforma-una-cueva-en-patrimonio-cultural-en-la-playa-de-punta-ballena\/","title":{"rendered":"Una artista pl\u00e1stica argentina transforma una cueva en patrimonio cultural en la playa de Punta Ballena"},"content":{"rendered":"
\t\t\t
\r\n\t\t\t
\"Griselda<\/div>\t\t\t
\r\n\t\t\t\t
Interview Subject<\/div>
Griselda Maym\u00f3, a 71-year-old mother of three, grew up in Argentina but spent summers at Punta Ballena beach in Uruguay. She works as a plastic artist and a history professor at the National University of Buenos Aires. In her work, she manufactured acrylic bags and restored paintings. When her family’s summer home was sold, we moved into a cave on the beach and using her artistry, transformed it into one of Uruguay’s prized cultural heritage sites. Today, she resides in a house in Punta Ballena and still oversees Casa Escultura<\/a>, where she teaches workshops and gives tours.<\/div><\/div>
Background Information<\/div>
In 2006, the plastic artist Griselda Maym\u00f3<\/a> acquired the rights of possession for a cave on the beach in Punta Ballena, Uruguay. She began the construction of Casa Escultura as it is currently known. Further information has been published in the book \u00abCasa Como Encanto de Uruguay\u00bb by Mar\u00eda Noel Maisonnave on page 80. In addition, the heritage home appeared in the film ‘El Presidente’<\/a> by Armando Bo.<\/a> The consecrated sculptor Daniel Escardo<\/a> lived momentarily in Casa Escultura<\/a> and was the one who baptized it with that name.

Prior to becoming Casa Escultura, the cave was used as protection from inclement weather. It was a refuge for charr\u00faas, <\/a>castaways, fishermen, and peasants. Darwin visited it in 1835, Don Antonio Lussich bought the surrounding land that included the cave in 1896.<\/div><\/div>\t\t\t<\/div>\r\n\t\t\t<\/div>\r\n\t\t<\/div>\r\n\t\t\n

Punta Ballena, Uruguay – A los 55 a\u00f1os decid\u00ed irme a vivir a una cueva a orillas del R\u00edo de La Plata.\u00a0Por ser artista pl\u00e1stica pude remodelarla y camuflarla entre las rocas; de hecho de afuera no se nota que es una casa y hoy forma parte de la estructura natural de la playa como patrimonio cultural de Uruguay, estamos hablando de Casa Escultura.<\/p>\n\n

Una pareja compra una cueva a un pescador y pone en marcha un proyecto \u00fanico<\/h2>\n\n

Hace 16 a\u00f1os mi mam\u00e1 decidi\u00f3 vender la casa familiar que us\u00e1bamos para veranear en Uruguay<\/a>. La casa la hab\u00edamos comprado cuando yo era muy chica en un remate, o sea que toda la vida pas\u00e9 en ese balc\u00f3n que me llenaba el alma. La vista que ten\u00eda esa casa, me daba una raz\u00f3n para estar viva y a los 55 a\u00f1os, me estaban avisando que esa casa se iba a vender, que no iba a tener m\u00e1s ese refugio.<\/p>\n\n

Pensaba que ese lugar estaba perdido para m\u00ed, no iba a poder volver a Punta Ballena porque mi situaci\u00f3n econ\u00f3mica en ese momento no era muy buena y sab\u00eda que no iba a regresar; pero como cada una de las situaciones dif\u00edciles o de desgracia, se cierra una puerta pero se abre una ventana: apareci\u00f3 la cueva en mi vida. <\/p>\n\n

El d\u00eda de la firma de la venta de la casa de mi mam\u00e1, me fui a orillas del R\u00edo a llorar y despedirme de ese acu\u00f1ador abrazo que el R\u00edo me daba por \u00faltima vez. En ese momento un pescador que me conoc\u00eda de chica, me apoy\u00f3 la mano en el hombro, y me pregunt\u00f3 qu\u00e9 me pasaba.<\/p>\n\n

Entre l\u00e1grimas y sollozos, le dije: \u2018No vengo m\u00e1s a este lugar, este sol, esta puesta\u2026yo cierro los ojos y es lo que necesito cada vez que tengo una dificultad. La luz de mi vida\u2019. Me mir\u00f3, y sin mucho pre\u00e1mbulo me dijo que me vend\u00eda su cueva de pescador.<\/p>\n\n

Me mir\u00f3, y sin mucho pre\u00e1mbulo me dijo que me vend\u00eda su cueva de pescador. Y as\u00ed fue, compr\u00e9 la cueva como qui\u00e9n compra el Obelisco de Argentina. <\/p>\n\n

Una cueva oscura y fr\u00eda se convierte en un hogar lleno de orgullo cultural<\/h2>\n\n

La primera vez que entr\u00e9 no se ve\u00eda nada, no hab\u00eda luz, no hab\u00eda instalaci\u00f3n de agua, ni de gas, no hab\u00eda puerta. Cuando ingres\u00e9, lo hice con los brazos extendidos porque no ten\u00eda idea de las proporciones del lugar, pero el resto de los sentidos se maximizaron. <\/p>\n\n

El fr\u00edo se sent\u00eda m\u00e1s intenso, los sonidos eran m\u00e1s agudos, los olores m\u00e1s fuertes y el tacto era m\u00e1s detallista; as\u00ed que las dimensiones del espacio las fui calculando con las manos y pasos largos para no chocarme con nada, mientras mi cuerpo viv\u00eda una experiencia \u00fanica.<\/p>\n\n

Ese mismo d\u00eda improvis\u00e9 una puerta con una reja que hab\u00eda desechado una amiga, y un nailon para evitar que entre tanto viento. A pesar de las falencias, los primeros d\u00edas sent\u00ed c\u00f3mo las olas me acunaban y si bien, estaba desprovista de todo, fue maravilloso levantarme y tener esa vista que tan feliz me hac\u00eda. <\/p>\n\n

Poco a poco, con cosas que mis amigos tiraban, porque hac\u00edan remodelaciones en sus casas, fui armando mi lugar. Eran muchas las consideraciones que ten\u00eda que tener en cuenta, por ejemplo que el r\u00edo no oxidara todo el material, que no quer\u00eda interrumpir la estructura real de la cueva, que las olas cuando rompieran contra las rocas no afectaran la construcci\u00f3n; mi ingenio tuvo que expandir sus horizontes y crear nuevas formas de adaptar el espacio sin alterar el orden natural.<\/p>\n\n

Tuve el margen de un mes para poder hacer todos los arreglos sin necesariamente tener que dormir todas las noches ah\u00ed, porque la casa de mi mam\u00e1 todav\u00eda no se hab\u00eda entregado. De a poco fuimos haciendo que la cueva se pareciera a un hogar.<\/p>\n\n

A pesar de los riesgos naturales, la cueva da sentido y maravilla a la vida del artista<\/h2>\n\n

Un d\u00eda nos pas\u00f3 que est\u00e1bamos con Ricardo Mylberg, mi compa\u00f1ero, sentados en la cocina y empezamos a ver c\u00f3mo el agua entraba por debajo de la puerta, sent\u00ed que pod\u00eda quedarme atrapada, prisionera contra la pared. Entonces nos fuimos a la parte de arriba a pasar la noche. Al otro d\u00eda nos dimos cuenta que las entradas a la planta baja estaban trabadas con rocas. <\/p>\n\n

Hemos visto tormentas gigantescas, el cielo de golpe con fuegos artificiales con rayos que dibujaban cerebros; es realmente majestuoso tener el privilegio de vivenciar tama\u00f1a demostraci\u00f3n de inmensidad. As\u00ed un d\u00eda, el r\u00edo me regal\u00f3 el objeto m\u00e1s importante de toda la casa, que es una piedra con forma de coraz\u00f3n, que hoy acompa\u00f1a la estructura original y me recuerda lo maravilloso de la naturaleza. \n<\/p>\n\n

A los 9 a\u00f1os de estar viviendo en la cueva, nos lleg\u00f3 un cedul\u00f3n de la intendencia pero ten\u00edamos un papel por los \u2018derechos posesorios\u2019 que firmamos el d\u00eda que compramos la casa a 1.000 d\u00f3lares, que daba garant\u00edas de que era en buena fe y que no quer\u00edamos quedarnos en propiedad, s\u00f3lo quer\u00edamos poder disfrutarla. Ese \u00ednfimo papel, hizo que la justicia dictamine, que la propiedad era de la intendencia, pero nosotros pod\u00edamos cuidarla y disfrutarla, en \u2018comodato\u2019.<\/p>\n\n

El juicio dur\u00f3 diez a\u00f1os, pero actualmente aportamos a la cultura de Uruguay con talleres de arte, exposiciones de fotograf\u00eda, pintura y escultura y recorridos por la casa para que la gente pueda disfrutar de esa maravillosa experiencia de sentir al r\u00edo acunando sus cuerpos mientras se toman unos mates. <\/p>\n\n

Otra vez, la vida me invita a los 71 a\u00f1os a pensar art\u00edsticamente nuevas formas de regalar momentos \u00fanicos a los visitantes de la playa de Punta Ballena y seguir aprovechando aquello que hace 16 a\u00f1os pens\u00e9 que era la \u00faltima vez que iba a ver.<\/p>\n\n

Todas las fotos son cortes\u00eda de Sabrina Ram\u00edrez. Historia escrita por Carolina Ana Leguizam\u00f3n.<\/strong><\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

La primera vez que entr\u00e9 en la cueva, no se ve\u00eda nada. Mantuve los brazos extendidos para sentir las paredes y las texturas. Mis sentidos estallaron. Ese mismo d\u00eda, improvis\u00e9 una puerta. A pesar de sus deficiencias, sent\u00ed c\u00f3mo las olas me acunaban.<\/p>\n","protected":false},"author":162,"featured_media":54305,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"gallery","meta":{"_acf_changed":false,"_uag_custom_page_level_css":"","_lmt_disableupdate":"","_lmt_disable":"","footnotes":""},"categories":[1617,417],"tags":[4293,4294,2214,4295,4292,4296,1757],"class_list":["post-55743","post","type-post","status-publish","format-gallery","has-post-thumbnail","hentry","category-arte-y-cultura-es","category-visionarios","tag-casa-cultura-es","tag-cueva","tag-latinoamerica","tag-patrimonio-cultural","tag-punta-ballena-es","tag-rio-de-la-plata-es","tag-uruguay-es","post_format-post-format-gallery"],"acf":[],"yoast_head":"\nUna artista plastica transforma una cueva en la playa de Punta Ballena (Uruguay)<\/title>\n<meta name=\"description\" content=\"La playa de Punta Ballena, en Uruguay, alberga una cueva que la artista Griselda 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Mantuve los brazos extendidos para sentir las paredes y las texturas. Mis sentidos estallaron. Ese mismo d\u00eda, improvis\u00e9 una puerta. A pesar de sus deficiencias, sent\u00ed c\u00f3mo las olas me acunaban.","_links":{"self":[{"href":"https:\/\/orato.world\/es\/wp-json\/wp\/v2\/posts\/55743","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/orato.world\/es\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/orato.world\/es\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/orato.world\/es\/wp-json\/wp\/v2\/users\/162"}],"replies":[{"embeddable":true,"href":"https:\/\/orato.world\/es\/wp-json\/wp\/v2\/comments?post=55743"}],"version-history":[{"count":0,"href":"https:\/\/orato.world\/es\/wp-json\/wp\/v2\/posts\/55743\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/orato.world\/es\/wp-json\/wp\/v2\/media\/54305"}],"wp:attachment":[{"href":"https:\/\/orato.world\/es\/wp-json\/wp\/v2\/media?parent=55743"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/orato.world\/es\/wp-json\/wp\/v2\/categories?post=55743"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/orato.world\/es\/wp-json\/wp\/v2\/tags?post=55743"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}