Noticias de todo el mundo empezaron a revelar el año pasado una tendencia inquietante en Qatar, país anfitrión de la Copa Mundial de la FIFA 2022. En los últimos 10 años, desde el anuncio de la Copa Mundial en Qatar, al menos 6.500 trabajadores migrantes murieron allí.
CIUDAD DE LUSAIL, Qatar ꟷ Las noticias empezaron a revelar el año pasado una tendencia inquietante en Qatar, país anfitrión de la Copa Mundial de la FIFA 2022. The Guardian informó en febrero de 2021 que en los últimos 10 años, desde el anuncio de la Copa Mundial en Qatar, al menos 6.500 trabajadores migrantes murieron allí.
Aunque los informes no clasificaban esas muertes por su lugar de trabajo, se presume que muchas se produjeron durante la construcción del estadio. Las muertes conocidas afectaron a trabajadores migrantes de India, Pakistán, Nepal, Bangladesh y Sri Lanka. El alcance total del problema sigue sin estar claro.
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Esta ilustración llama la atención sobre el derramamiento de sangre y la crisis humanitaria que supone llevar el trofeo de la Copa del Mundo a Qatar. Mientras los campeones pregonan el recién construido estadio de Lusail como una exquisita obra maestra cultural y arquitectónica, muchos sueños murieron en su construcción.
Building the stadium cost over $200 billion. According to an article published by the Pulitzer Center, three years after construction of the stadium began, estimates predicted some 4,000 deaths of migrant workers due to exploitive labor practices. It also cited furnace-like temperatures causing dangerous working conditions.
Sangre, incontables vidas y contaminación por petróleo manchan el trofeo de la Copa del Mundo de 2022. Fueron los trabajadores de la construcción, y no los atletas, quienes soportaron la carga más pesada para hacer posible el torneo de 2022.
Ilustración de Monica Anduray Miguel.
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Monica Anduray was born in San Salvador, El Salvador in 1994. Growing up in a conservative catholic home, with Palestinian and Mexican roots, she always viewed art as her refuge to explore, create, be free, and speak her mind. Anduray’s work reflects and explores social injustice, personal experiences, and the layers and complexity of women and female beauty. Mostly self-taught, her artistic sensibility increased when studying Interior Architecture at Dr. José Matías Delgado University in El Salvador. Inspired by Van Gogh and Salvador Dali, her colorful magic-realist style is known for her use of assemblage, visual layers, and volumetry to create a more immersive way people can interact with art. She is now considered the pioneer of mixed media with epoxy resin in El Salvador, and won first place in the art contest with her art piece Floral Harmony I and II (October 2022) at the National Palace of El Salvador. In recent years, Mónica has worked with the Palestinian, Mexican, and Chinese embassies in El Salvador, participating in several collaborative art expositions. She has also done several commissions. Among the most important ones are digital line-up arts for OCTA Concept's music festivals, murals, and a limited edition beer label for La Osadía Biergarten. Monica lives in the capital of El Salvador where she continues to paint in her apartment with her cat Vincent.
Monica Anduray was born in San Salvador, El Salvador in 1994. Growing up in a conservative catholic home, with Palestinian and Mexican roots, she always viewed art as her refuge to explore, create, be free, and speak her mind. Anduray’s work reflects and explores social injustice, personal experiences, and the layers and complexity of women and female beauty. Mostly self-taught, her artistic sensibility increased when studying Interior Architecture at Dr. José Matías Delgado University in El Salvador. Inspired by Van Gogh and Salvador Dali, her colorful magic-realist style is known for her use of assemblage, visual layers, and volumetry to create a more immersive way people can interact with art. She is now considered the pioneer of mixed media with epoxy resin in El Salvador, and won first place in the art contest with her art piece Floral Harmony I and II (October 2022) at the National Palace of El Salvador. In recent years, Mónica has worked with the Palestinian, Mexican, and Chinese embassies in El Salvador, participating in several collaborative art expositions. She has also done several commissions. Among the most important ones are digital line-up arts for OCTA Concept's music festivals, murals, and a limited edition beer label for La Osadía Biergarten. Monica lives in the capital of El Salvador where she continues to paint in her apartment with her cat Vincent.