News reports from around the world began to reveal a disturbing trend last year in Qatar – the host country for the 2022 FIFA World Cup. In the last 10 years, since the announcement of the World Cup in Qatar, at least 6,500 migrant workers died there.
LUSAIL CITY, Qatar ꟷ News reports began to reveal a disturbing trend last year in Qatar – the host country for the 2022 FIFA World Cup. The Guardian reported in February 2021 that in the last 10 years, since the announcement of the World Cup in Qatar, at least 6,500 migrant workers died there.
While reports did not categorize those deaths by their work location, it is presumed many occurred during stadium construction. Known deaths affected migrant workers from India, Pakistan, Nepal, Bangladesh, and Sri Lanka. The full scope of the problem remains unclear.
Read more stories from the 2022 FIFA World Cup at Orato World Media.
This illustration calls attention to the bloodshed and humanitarian crisis of bringing the World Cup trophy to Qatar. While champions tout the newly constructed Lusail Stadium as an exquisite cultural and architectural masterpiece, many dreams died in its construction.
Building the stadium cost over $200 billion. According to an article published by the Pulitzer Center, three years after construction of the stadium began, estimates predicted some 4,000 deaths of migrant workers due to exploitive labor practices. It also cited furnace-like temperatures causing dangerous working conditions.
Blood, countless lives, and petroleum pollution stain the 2022 World Cup trophy. It was the construction workers, not the athletes, carrying the heaviest burden to make the 2022 tournament possible.
Illustration by Monica Anduray Miguel.
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Monica Anduray was born in San Salvador, El Salvador in 1994. Growing up in a conservative catholic home, with Palestinian and Mexican roots, she always viewed art as her refuge to explore, create, be free, and speak her mind. Anduray’s work reflects and explores social injustice, personal experiences, and the layers and complexity of women and female beauty. Mostly self-taught, her artistic sensibility increased when studying Interior Architecture at Dr. José Matías Delgado University in El Salvador. Inspired by Van Gogh and Salvador Dali, her colorful magic-realist style is known for her use of assemblage, visual layers, and volumetry to create a more immersive way people can interact with art. She is now considered the pioneer of mixed media with epoxy resin in El Salvador, and won first place in the art contest with her art piece Floral Harmony I and II (October 2022) at the National Palace of El Salvador. In recent years, Mónica has worked with the Palestinian, Mexican, and Chinese embassies in El Salvador, participating in several collaborative art expositions. She has also done several commissions. Among the most important ones are digital line-up arts for OCTA Concept's music festivals, murals, and a limited edition beer label for La Osadía Biergarten. Monica lives in the capital of El Salvador where she continues to paint in her apartment with her cat Vincent.
Monica Anduray was born in San Salvador, El Salvador in 1994. Growing up in a conservative catholic home, with Palestinian and Mexican roots, she always viewed art as her refuge to explore, create, be free, and speak her mind. Anduray’s work reflects and explores social injustice, personal experiences, and the layers and complexity of women and female beauty. Mostly self-taught, her artistic sensibility increased when studying Interior Architecture at Dr. José Matías Delgado University in El Salvador. Inspired by Van Gogh and Salvador Dali, her colorful magic-realist style is known for her use of assemblage, visual layers, and volumetry to create a more immersive way people can interact with art. She is now considered the pioneer of mixed media with epoxy resin in El Salvador, and won first place in the art contest with her art piece Floral Harmony I and II (October 2022) at the National Palace of El Salvador. In recent years, Mónica has worked with the Palestinian, Mexican, and Chinese embassies in El Salvador, participating in several collaborative art expositions. She has also done several commissions. Among the most important ones are digital line-up arts for OCTA Concept's music festivals, murals, and a limited edition beer label for La Osadía Biergarten. Monica lives in the capital of El Salvador where she continues to paint in her apartment with her cat Vincent.